In the Woods

 

The oak snooker table, the actual wood
outdoors, the sky is blue
dad’s last book stuck there to prevent sparrows
long silences
among the sounds, I miss most
you could tell the time of day

I know it’s boring if everything is day
Euclidean geometries bending toward the wood
our games on the edge of a hill most
glorious blue
morning enduring scooping silences
at my typewriter, sparrows

smashing into the glass, sparrows
look a little ominously at the day
run from the silences
water lapping at wood
boxing the lake, glorious blue
writing of being and most

failed brickmaking a canopy for most
but in the end other gifts, tiny bones, sparrows
dimensions, a stone chisel, everything blue
a brass spittoon, night and day
and wood
a painting made of silences

sink all the colours and you’ll find silences
in the room he loved most
teetering, like his mind was half wood
a garish machine dreaming of sparrows
bent over day
there, cobwebbed, explaining blue

a measure of blue
salvaged from silences
the cottage understands night requires day
and why in those years I carried you the most
in the songs of sparrows
all the way down to the wood.

 

 

Tragic Dressmaker

 

My mother had five sisters
in badly damaged garment factories
the dexterity of war
discussed in Morse code
by a farmer
a horrifying legacy

early one morning clothes
arrived
subtract five years
privilege
we miss her
better
when she died.

 

* * *

 

Lillian Necakov is the author of a bunch of books of poetry, including The Bone Broker (Mansfield Press), Hooligans (Mansfield Press), Hat Trick (Exile Editions) and Polaroids (Coach House Books). She runs the Boneshaker Reading Series in Toronto, where she lives with her family. In the 1980s she used to sell her book on the streets of Toronto.

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