What is the working title of the book?
Where did the idea come from for the book?
When I couldn’t read any more I began to write. No, that’s clearly not true, although it sounds good. I began writing this as a paragraph or two, on my phone, in “Notes.” I didn’t have an idea of what it would become.
What genre does your book fall under?
What actors would you choose to play the part of your characters in a movie rendition?
What is the one sentence synopsis of your book?
Memories are made of this.
How long did it take you to write the first draft of the manuscript?
I am just getting started. The first paragraph was written a long time ago.
Who or what inspired you to write this book?
I overheard something.
What else about your book might pique the reader’s interest?
People who like to read and like to be distracted will like this book.
Will your book be self-published or represented by an agency?
Tagged for the next round: Susan Gevirtz, Laura Moriarty & Aaron Shurin.
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Norma Cole is a poet, painter, and translator. She was born in Toronto, Canada, and attended the University of Toronto for her BA in Modern Languages and MA in French. Her translation works include Danielle Collobert’s Journals (1989), Anne Portugal’s Nude (2001), and Fouad Gabriel Naffah’s The Spirit God and the Properties Of Nitrogen (2004). She has also edited and translated Crosscut Universe: Writing on Writing from France (2000), an anthology of poetry and poetics by contemporary French writers.
Cole has authored various books of poetry, including Natural Light (2009), Where Shadows Will: Selected Poems 1988-2008 (2009), Spinoza in Her Youth (2002), The Vulgar Tongue (2000), and Desire & Its Double (1998). In a review of her 1996 collection Contrafact, Erin Moule of Lemon Hound noted that Cole’s “meanings unfurl and gesture, resonate, play emphatic and contrapuntal gamings with language’s fluency.”
Cole’s experimental work SCOUT, a text and image work, was released in 2005. From 2004 to 2006, Cole was the lead artist for Collective Memory, an installation, performance, and publication for “Poetry and its Arts: Bay area Interactions 1954-2004” commissioned by the California Historical Society in San Francisco, California.
Cole’s various awards include a fellowship from the Foundation for Contemporary Arts, a Wallace Alexander Gerbode Foundation Award, Gertrude Stein Awards, the Robert D. Richardson Non-Fiction Award, and awards from the Fund for Poetry.
Cole has served on the faculty of the MFA program at Otis College of Art and Design in Los Angeles. She has lived in San Francisco since 1977 and teaches at the University of San Francisco.